umt.world

Episode 5.5: Revolutionary Motives

Join us for a discussion of Jasper Bernes’s contribution to Endnotes 5, a treatment of proletarian motives vs interest that examines the theoretical framework of game theory.

Read the essay here: https://endnotes.org.uk/file_hosting/EN5_Revolutionary_Motives.pdf

Episode 5.4: Contours of the World Commune

The Friends of the Classless Society intake to Endnotes 5 is a straight-up piece of social fiction, discussing in great detail how a communist utopia would function. It is quite satisfying on an immediate level to read such a detailed piece of utopian social imagining, and our discussion in this episode ranges quite widely.

Support the show on Patreon if you like the content and get access to our Discord to join the conversation. https://patreon.com/theinvertedform

(you can also send me a DM on any platform and I’ll send you the link.)

Read the essay here: https://endnotes.org.uk/file_hosting/EN5_Contours_of_the_World_Commune.pdf

Download the mp3 here: https://umt.world/wp-content/uploads/ep5.4.mp3

Subscribe to the RSS here: https://umt.world/category/footnotes-to-endnotes/feed

Episode 5.3: Error

How does the revolutionary insert themselves into the capitalist totality? What kind of totality is capitalism, anyway? It has a definite beginning, but is it possible that it is logically determined to stretch into infinity? How do we extricate ourselves from this totality? As a totality based on a particular mode of production, capitalism can be located in its physical residue—infrastructure in the form of technology and architecture. Is technology neutral in the class struggle? We enter into all of this and more via a discussion on contemporary COVID politics and some reflections on the past summer, and what might come of the second summer of the Pandemic Age.

If you want to join in on the conversation, support us on Patreon to get access to our Discord: https://patreon.com/theinvertedform

(or, alternatively, send me a DM or email.)

Read the essay here: https://endnotes.org.uk/file_hosting/EN5_Error.pdf

Episode 5.2: We Unhappy Few

We read and discuss the first proper essay in the fifth volume of the Endnotes journal, “The Passions and the Interests.” This essay, “We Unhappy Few,” breaks the fourth wall and reflects on the experience of the Endnotes as a collective. The major innovation in terms of theory is the introduction of Wilfred Bion’s theories of group psychology, which bring in a whole new theoretical palette to the journal’s theorization so far. The essay is long and, surprisingly, quite optimistic.

Read the essay here: https://endnotes.org.uk/file_hosting/EN5_We_Unhappy_Few.pdf

Listen on YouTube: https://youtu.be/fwEKsqV5w9M

Episode 5.1: Editorial / State of the Pod

A loose episode where we break off the fifth edition of the Endnotes journal, discussing the very short editorial; most of our time is given to discussing the future of the podcast.

Support us on Patreon: https://patreon.com/theinvertedform

Watch on YouTube: https://youtu.be/euMjcM89lqk

Send me a DM if you want access to the Discord.

BONUS EPISODE: Friends of the Classless Society

In this episode, we are reading and discussing two essays from the Berlin communiser group Friends of the Classless Society. We spend a fair amount of time recounting a history of 20th century revolution that we are all familiar with at this point; we also discuss Adorno and his idea of a “classless class society,” as well as some of his ideas on culture.

Support the show on Patreon and get access to our Discord: https://patreon.com/theinvertedform

(you can also send me a DM on any platform and I’ll share the link.)

On Communisation and Its Theorists: https://endnotes.org.uk/other_texts/en/friends-of-the-classless-society-on-communisation-and-its-theorists

28 Theses on Class Society: https://kosmoprolet.org/en/28-theses-class-society

Watch on YouTube: https://youtu.be/kHlR8rj750c

BONUS EPISODE: One Year Pandemic Anniversary

Breaking from the format of the show for a bit, in this episode we are not discussing a primary text, but rather reflecting on the past year of pandemic life, what possibilities remain open to us, and how it relates to this project in particular.